BELLY UP TECHNICAL INFORMATION
Please see other venue websites for technical information that is not for the Belly Up.
STAGE SIZE: Our Stage surface is maple and is 25″ wide x 20’ deep x 34in high and equipped with a 4′×6′ 2500Lb hydraulic lift.
Clearance: Vertical minimum clearances are DS-8’7″, USC-10’, USL-8’2″, USR-7’5″ and SRC-8’5″.
Risers – We have 20 feet of 4×8 drum risers with 1 or 2ft legs.
FRONT OF HOUSE SYSTEM:
CONSOLE: Yamaha CL5 Digital mixing console w/ 2 Rio3224-D = 64 in 32 out
STAGE MONITOR SYSTEM:
CONSOLE: Yamaha CL5 Digital mixing console w/ 2 Rio3224-D = 64 in 32 out
(4) Adamson Systems Engineering IS10P 2-Way Full Range Point Source Loudspeaker
(7) Adamson Systems Engineering IS7P 2-Way Full Range Point Source Loudspeaker
(2) Adamson Systems Engineering IS219 High Performance Subwoofer
(2) Adamson Systems Engineering PC5i Compact Coaxial Loudspeaker
Powered by Adamson supported Lab Gruppen D Series Amplification with onboard LAKE digital signal processing and Dante Digital Audio Transport.
Monitors: VUE High Definition Stage Monitor System http://www.vueaudio.com/h-class/
- 4x hm-112 High Definition Stage Monitor System
- 5x Learn more about the hm-212 High Output Stage Monitor System
- 1x Learn more about hs-25 Dual 15 inch ACM Subwoofer System
- 2x Learn more about hs-28 Dual 18 inch ACM Subwoofer System
STAGE LIGHTS:
Console: Avolites Arena. Titan 15.0 software
See lighting plot below for detailed info.
STAGE POWER:
There are 6 -110 volt / 20 amp circuit quad boxes available on stage.
2 – 220-volt 100 amp 3 phase service with cam locks
1 – 220-volt 100A single-phase service with cam locks
SHORE POWER:
A 220-volt single-phase 60amp service is available on the west dock adjacent to the “stage door”. A second 220-volt single-phase service is available inside the back stage. You will need a 50-foot cable run to connect.
MICROPHONES: We have a healthy supply of the following Shure microphones.Beta 58, SM 58, SM 57, Beta 57, Beta 52, 91, 98, 81, and 1 Beta 87
WIRELESS – 4 x Shure SLXD2 mics and SLXD4D receivers
2 – Shure PGXD24 Beta 58A Digital wireless systems
8 – Telefunken: 4 – M80’s 4 – M81’s
2 – telefunken M60’s
2 – Sennheiser 421’s
4 – Sennheiser 904’s
1 – Audix D4
1 – Audix D6
6 – Whirlwind passive DI boxes
12 – livewire passive DI boxes
Belly Up Back line:
Drums: www./vesseldrums.com/
Toms: 10×8, 12×8, 13×9, 14×14, 16×14, Kick: 22×16
Birdseye Maple, all chrome hardware, tube lugs, Aquarian Drumheads
Snare Drums:
14×6.5 Patina Brass
14×7 4 mm Aluminum
14×7 Maple
www.tcymbals.com
T-Natural 14” hats, T-15” “La Pasion Turca” jazz hats
T-Natural 17” crash light, T-Natural 20” crash light
T-Natural 22” ride light, T-Natural 22” Air ride
DW Maple, Black: Kick – 22, Toms – 18, 16, 14, 12, 10
All Hardware DW 9000 and flat 6000. Single and double kick pedals.
Congas, Timba: Quinto, Conga and Tumba w/ cradles
Timbales: LP Matador
BASS AMP• Fender Rumble 800 Head, GK 800 Head, GK 400 head
Ampeg 8 X 10 Speaker Cabinet – 2 x 4×10 SWR Goliath cabs
GUITAR AMPS• 1965 Fender Blackface Twin Reverb. Fender Deville 2×12. Fender Hot Rod Deville 1×12. Roland Jazz Chorus 120
KEYBOARDS
• KORG SV1-88
• Korg Triton Pro 76 Keyboard
• single and double tier stands
DJ EQUIPMENT
• Technics SL-1200 M3D turntables (2)
• Rane TM 57 Mixer
Belly Up Advance info – https://docs.google.com/document/d/1i3HD8zhIG9c5WZAPraeHY1vrEexhkLLCTrgETq5Aw7I/edit?usp=sharing
Belly Up Technical info – https://docs.google.com/document/d/1C68qAjQJBD61F4WaF06i_EDgtM4Wiu_kWNcHUDSiVo8/edit?usp=sharing
Belly Up lighting plot: https://drive.google.com/file/d/1lHzuT_f9S9yDlFRyjsA3XgFVNibquFOt/view?usp=share_link
Lighting Patch: https://drive.google.com/file/d/1tuOBzJ5b8PWSvdP6lVJUL-tzQlNWHygz/view?usp=share_link