Sometimes revolutions begin quietly.

In 1988, Cowboy Junkies proved that there was an audience waiting for something quiet, beautiful and reflective. The Trinity Session was like a whisper that cut through the noise -- and it was compelling. It stood out amid the flash and bombast that defined the late 80's. The now classic recording combined folk, blues, and rock in a way that had never been heard before and went on to sell more than a million copies. Their ability to communicate volumes before the lyrics kick in defines an enduring career. Where most bands chase trends, the Junkies have stayed their course, maintaining a low-impact excavation of melody and evocative language delivered sotto voce in singer Margo Timmins’ feathery alto. 

Formed in Toronto in 1985, Margo was joined by siblings Michael Timmins on guitar, Peter Timmins on drums, and Michael’s lifelong friend Alan Anton on bass to begin a journey that has evolved over 29 albums. “I’ve known Alan longer than I’ve known Pete,” says Michael. “We were friends before Pete was born.”

Unlike most long-lasting groups, Cowboy Junkies have never had a breakup or taken a sanity-saving hiatus. There’s an appreciation of each other that keeps them constantly working. “It’s that intimacy and understanding of what each one of us brings to the table,” says Michael. Michael, the oldest, is the chief architect; songwriter, and guitarist, who works with Margo on sculpting the emotional planes and vocal performances before bringing in younger brother Peter on drums and lifelong friend Alan Anton on bass to create the soundscapes that have made Cowboy Junkies a band who defies categories.