Maggie Lindemann isn’t afraid to break — she’s afraid to feel nothing. And on i feel everything, her most emotionally charged and sonically ambitious record to date, she leans all the way in.

Releasing October 17, 2025, i feel everything is a sixteen-track plunge into obsession, grief, rage, shame, detachment, and survival. It doesn’t flinch or filter. It doesn’t chase perfection. It just bleeds. Across the album, Maggie captures what it means to feel too much — and what happens when you finally stop apologizing for it.

It begins in stillness. On mourning, she sits with the ache of emotional abandonment: “i’m mourning someone who is not gone.” From there, the emotions escalate. split and spine cut through the numbness with clarity and confrontation — songs about walking on glass, biting your tongue, and then refusing to anymore. On split, she snaps: “i’ve been under attack / i don’t wanna fight back” — a song that captures what it feels like to live in a constant emotional landmine. spine trades subtlety for sarcasm, with Maggie delivering the hook like a slap: “that boy, he needs to grow a spine.” And fang plays like a fever dream — seductive and venomous, a track about love that consumes and depletes: “sink your teeth into me / my blood is what you’re abusing.”

The tension isn’t just lyrical — it’s structural. Each track crashes into the next with the weight of someone processing in real time.

i feel everything holds nothing back. The title track is a whispered scream — “do you see what you’ve done to me?” — while fate is its emotional comedown: resigned, exhausted, and painfully self-aware. 2022, featuring Julia Wolf, is one of the album’s most disorienting standouts — a breakup song turned identity crisis that captures the disconnection between who you are and how you’re seen. let me burn, Maggie’s haunting collaboration with The Warning, confronts emotional manipulation head-on, while it’s still you, featuring Max Fry, offers a moment of breath and reflection before everything spirals again.

This isn’t heartbreak for the sake of heartbreak — it’s songwriting as survival. i feel everything isn’t neat or tidy. It’s bruised, wired, and honest in a way Maggie hasn’t shown before.

The release marks a defining point in her career. With over a billion streams, a cult-like global fanbase, and a sold-out world tour already behind her, Maggie is doubling down — not just as a performer, but as a builder. She owns her masters. She runs her label, swixxzaudio, in partnership with Virgin Music and Universal Music Group. It’s a structure designed for longevity, giving Maggie complete creative and financial ownership of her career — much like the pioneering models adopted by artists like Taylor Swift.

Her fashion line, SWIXXZ, which has already achieved multiple seven-figure years, will launch a new era alongside the album — merging music, identity, and visual culture into a cohesive world her fans can step into. A new world tour is also coming later this year.

This isn’t a pivot. It’s not a rebrand. It’s the natural evolution of someone who’s no longer interested in hiding the chaos — or softening the blow.

i feel everything is what happens when you let yourself unravel. And somehow come back sharper.