The Sully Band, voted Best Live Band at the 2020 San Diego Music Awards, is a 10-piece beast of a band, playing covers and originals at clubs and festivals at venues like Southern California’s legendary Belly Up Tavern to Austin’s illustrious Antone’s Nightclub.

Fronted by San Diego radio & TV personality and financial expert, Robert "Sully" Sullivan and anchored by Grammy Award-winning slayer of the bass, James East (Eric Clapton, Elton John, Michael Jackson, and many others), The Sully Band is composed of seasoned, accomplished players who hail from diverse locales like Japan, Panama, and the island of Lemon Grove. The horn section features sax-flute-harp-man Tripp Sprague (Kenny Loggins, The Little River Band, Smokey Robinson, The Temptations, The Four Tops) and trumpet and flugelhorn player Steve Dillard (The Righteous Brothers and Lynyrd Skynyrd).

Their very first single, “Best Damn Fool,” garnered critical acclaim after its release at KAABOO Del Mar (Sept 2018), followed by their recent releases, “Green Dress,” “Never Gonna Give Up” and a cover of the timeless soul classic, “Try A Little Tenderness.”

Their debut album, Let's Straighten It Out! will be released March 2022 via Belly Up Records, and marketed and distributed by Blue Élan Records.

When Melissa Brooks formed the Aquadolls 10 years ago, it served as an outlet for her to channel her angst. In high school, she was bullied by her peers, and music served as a therapeutic way to express herself in a positive way. Though she initially aspired to be the next Lady Gaga, Brooks found her way into rock music for outsiders Following the formation of the bedroom project, Brooks — who serves as the band’s primary singer, songwriter and guitarist — released the 'Free' EP in 2012 and her debut album, 'Stoked on You' in 2013. After cycling through musicians, Brooks joined forces with bassist Keilah Nina and drummer Jacqueline Proctor and things fell into place. The trio released their sophomore album, 'The Dream and Deception,' in 2018. Once their current lineup solidified around the release of 'The Dream and Deception', the Aquadolls made serious moves. They’ve performed with artists including Kate Nash, Pennywise and Jimmy Eat World, and have featured on major festival lineups like Lollapalooza, Austin City Limits, Warped Tour and a pair of appearances at Eddie Vedder’s Ohana Festival.

The Los Angeles-based band have been spending the summer on the road with Incubus and Sublime with Rome. Bigger things yet are looming large in the foreseeable future.

The Aquadolls’ third album, 'Charmed' (which is named after the popular ‘90s/‘00s TV show), is a natural progression for their discography. Don’t let the relatable tales focused on love and relationships, heartbreak and longing for more fool you, the Aquadolls still are about having fun and showcasing humor in their lyrics. 'Charmed' charts the growth in the Aquadolls’ sound, fusing elements of melodic ‘60s harmonies and ‘90s-driven crunchiness with a modern twist that ushered in a new era for them, and it serves as a strong representation of what they want to do.

For the first time on an album (after punk legend Fat Mike produced their three previous singles), the trio relied on an outside producer. Chris Szczech’s (Goo Goo Dolls) Zen-like figure brought a calmness to the trio as they knocked out each song. The Aquadolls were in the studio on-and-off since the release of 'The Dream and Deception.' The care and meticulous crafting of lyrics and music works seamlessly. What started off as Brooks’ bedroom demos and loose ideas turned into nine songs. 'Charmed' is also the first time that the trio wrote as a unit, allowing the tracks to blossom in the studio before transforming into fully fleshed-out songs that ended up on the album.

'Charmed’s' first single, “Beachy,” is a prime example of the band’s songwriting growth. Starting off as various guitar and drum loops with incoherent lyrics, “Beachy” emerged as a powerhouse, vibe-y, reverb-drenched, twinkle of nostalgia tale that rejects longing for someone and focuses on loving yourself first. “Sneaky,” another highlight, looks at the angst surrounding the uncertainty of a relationship combined with a sound that channels the Breeders and Veruca Salt.

Even as the current edition of the Aquadolls continues to evolve, their signature sound as a guitar-driven band remains the same. Armed with a continued desire to promote their message of self-love and positivity, 'Charmed' is the perfect step forward. Combining a cohesive sound with this message, the Aquadolls are comfortable growing up with their audience — who view things through never perfect, Vaseline-tinged view of the world.