Wed Sep 29
|Age:||Ages 21+ Only|
This event has been rescheduled from May 20. All tickets purchased for the May 20th date will be honored.
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Genre: blues rock
Ticket Price: $22 advanced / $25 day of show / $39 reserved loft seating is SOLD OUT
"You should always get outside of the box," Samantha Fish says while discussing her boundary-breaking new album Belle of the West. "Challenging yourself is how you grow."
After launching her recording career in 2009, Samantha Fish quickly established herself as a rising star in the contemporary blues world. Since then, the charismatic young singer-guitarist-songwriter has earned a reputation as a rising guitar hero and powerful live performer, while releasing a series of acclaimed albums that have shown her restless creative spirit consistently taking her in new and exciting musical directions.
The New York Times called Fish "an impressive blues guitarist who sings with sweet power" and "one of the genre's most promising young talents." Her hometown paper The Kansas City Star noted, "Samantha Fish has kicked down the door of the patriarchal blues club" and observed that the young artist "displays more imagination and creativity than some blues veterans exhibit over the course of their careers."
Having already made it clear that she's more interested in following her heart than she is in repeating past triumphs, Samantha Fish delivers some of her most compelling music to date with Belle of the West, her fifth studio album. The deeply soulful, personally charged 11-song set showcases Fish's sublime acoustic guitar skills as well as her rootsy, emotionally resonant songwriting.
Such memorable new originals as "American Dream," "Blood in the Water," "Need You More" and "Don't Say You Love Me" demonstrate the artist's knack for organic Americana songcraft, while a trio of cover tunes—R.L. Burnside's "Poor Black Mattie," Lillie Mae's "Nearing Home" and the Jimbo Mathus-penned title track—attest to her substantial interpretive skills as well as her varied musical interests.
"To me, this is a natural progression," Fish notes. "It's a storytelling record by a girl who grew up in the Midwest. It's very personal. I really focused on the songwriting and vocals, the melodies and emotion, and on bringing another dimension to what I do. I wasn't interested in shredding on guitar, although we ended up with a few heavier tracks. I love Mississippi blues; there's something very soulful and very real about that style of music, so this was a chance to immerse myself in that."
Fish recorded Belle of the West in the relaxed, rural creative atmosphere of the legendary Zebra Ranch Studios in the North Hills of Mississippi with producer Luther Dickinson (of North Mississippi Allstars fame), with whom she worked previously on her 2015 album Wild Heart. The studio team included some of the region's most iconoclastic musicians, including Dickinson, solo artist and Jack White associate Lillie Mae (whose distinctive vocals are featured on "Nearing Home"), much-traveled juke- joint blues artist Lightnin' Malcolm (whose featured on "Poor Black Mattie"), Squirrel Nut Zippers founder Jimbo Mathus, upright bassist and beloved solo artist Amy LaVere, Tikyra Jackson, Trina Raimey and Shardé Thomas, granddaughter of the legendary Southern bluesman Otha Turner.
"I wanted to do this acoustic-electric record, and tap into the style and swagger of Mississippi," Fish states, adding, "Any time you dive into another place, another vibe and a new group of people, you're challenging yourself to grow musically. I felt very at home a Zebra Ranch, and I've known Luther and Malcolm for years, so it was a very comfortable situation. When you're making a record like this, it has to feel natural if you want people to respond to it.
Belle of the West follows on the heels of Fish's March 2017 release Chills & Fever, which achieved top 10 status in the Billboard Blues charts. Here she expanded her stylistic arsenal to take on a set of lesser-known vintage R&B gems, with help from members of garage-soul stalwarts the Detroit Cobras. "Having these two very different records come out back to back this year has been really liberating," says Samantha.
The creative drive that fuels Belle of the West and Chills & Fever has been a crucial element of Samantha Fish's approach from the beginning. Growing up in a musical family in Kansas City, Missouri, she became obsessed with music early life, taking up drums before switching to guitar at the age of 15. By the time she was 20, she had formed her own trio and self-released her first album. She soon caught the ear of the renowned blues label Ruf Records, which in 2011 released Girls with Guitars, which teamed her with fellow axewomen Cassie Taylor and Dani Wilde. The same year saw Ruf release Fish's solo studio debut Runaway. The album was named Best Artist Debut at the 2012 Blues Music Awards in Memphis.
Black Wind Howlin' (2013) and Wild Heart (2015) followed, winning considerable critical acclaim and further establishing Fish as a prominent presence in the blues community. Wild Heart reached the top slot on Billboard's blues chart. She also collaborated with blues-rock veterans Jimmy Hall and Reese Wynans on the 2013 project The Healers. The same year, she jammed onstage with blues icon Buddy Guy, and guested on Devon Allman's album Turquoise.
Fish continues to maintain the same hardworking, prolific approach that's carried her this far. "I think I've always had that," she says. "Music is my life, so what other choice do I have but to go out and make music? We do tour quite a bit, and maybe it's kind of crazy to put out two dramatically different albums in one year. But I like to work hard. This is who I am and this is what I do, and when I'm writing and recording and touring is when I feel the most like myself. And now we have a moment where people are paying attention, so I have to make the most of it. I feel like I have a lot to say right now, so why not say it?"
As far as Samantha Fish is concerned, her musical future is an open road. "I'm never gonna be a traditional blues artist, because that's not who I am," she asserts. "But it's all the blues for me. When Muddy Waters and Howlin' Wolf came out, what they were doing didn't sound like anything that had been done in blues before. You've gotta keep that kind of fire and spirit. I'm never gonna do Muddy Waters better than Muddy Waters, so I have to be who I am and find my best voice.
“All that I know how to do is take a pen and a sheet of paper or two, write a few words about peace and love, Louisiana and the heavens above; Bury me when I am gone, with my guitar and some cheap cologne, all that’s left is a pile of bones, remember me through the words of my song.”
Jonathon Long ‘Bury Me’
The road to Samantha Fish’s Wild Heart Records winds along the Big Muddy through Baton Rouge, where young guitar players travel to learn from and experience the legacy left there by the likes of Buddy Guy, Kenny Neal, Tabby Thomas, Lightnin’ Slim and so many others who fueled that vibrant blues scene going back decades into the last century.
Eighteen years into century twenty-one, Baton Rouge born Jonathon Long (he’s retired ‘Boogie’-more on that later) has claimed his own share of that legacy. He has mined, refined and re-defined his beloved blues for over half of his 29 years. The shuffles and homages to the King’s and Collins’s, along with his mastery of the red Gibson, have evolved into what will certainly be a milestone in that legacy, his third album, titled simply ‘Jonathon Long’.
Recorded in post-Mardi Gras New Orleans earlier this year at NOLA Recording Studios, ‘Jonathon Long’, produced by 2018 Contemporary Female Blues Artist of the Year Samantha Fish, is an extra-ordinary collection of 11 songs, all written by Jonathon save for ‘The River’, written by Detroit’s Kenny Tudrick, a Samantha Fish cohort and drummer for the Detroit Cobras. Long is joined on the record by bandmates Chris Roberts on bass and Jullian Civello on drums, giving it a ‘live in the studio’ sonic signature.
The ten Jonathon-penned tunes are timely, personal, outright spiritual and infused with an intentional, infectious spirit and soul.
Alternating between near-despair and boundless hope, the songs evoke that delicate balance of drawing you in and fixating you with provocative lyrics, familiar yet fresh riffs and clean, tight arrangements that shine on record and powerfully resound live.
Each track gets its own special guitar treatment, from spare and simple acoustic rhythms and fills to in- your-face ‘straight into the board’ sonics, arranged and performed with the dues-paid passion and prowess Jonathon brings to his craft.
He explains: “We went into the studio with the idea of a more cohesive effort with a collection of completed songs, rather than just tunes to jam on; all of the songs and the arrangements were written beforehand, and we went through a bunch of tunes one by one to select those that made the record.”
Such focus and determination are nothing new with Jonathon, a working musician before he was old enough for a learners-permit to drive. He’s absorbed from and shared the stage with masters like B.B. King, won a nationwide blues guitar unsigned artist contest, produced his own instructional videos, is a regular at the Blues Tent at the New Orleans Jazz and Heritage Festival and stays on the road, playing concerts, clubs and festivals here and abroad to a passionate and growing fan base.
New fans discover what long time fans already know: Jonathon Long is a musical and spiritual force of nature, with a searing mastery of his instrument who as an artist and fellow human walks the walk while singing the talk.
Says Jonathon: “You can’t be hesitant, you have to own it; everything that I do is to stress the positive, to connect with people in a positive way; I try to be an artist who doesn’t follow the textbook rules on being an artist, by not trying to write songs that appeal to the masses; I’m just trying to tell the stories and the truths as I see them and how I believe.”
The songs on ‘Jonathon Long’ range from straight ahead blues, to stories of heartbreak, yearning, hope and redemption, to a drinking song. His own spirituality is front and center, but in a positive, non- preachy manner.
“Everyone has their own image of what a perfect world should be; my goal is not to persuade what to believe, or convert anyone, but to have people hear and realize you can do what you want, have fun, and find ways to peaceably coexist with the other people in this world. We are never about negative anything. We want to show up, bring on the heat, and have it all come together through the music,” he tells.
And that brings us to Boogie. He explains “I’m not just a boogie-woogie blues artist. There was a time I played a lot of shuffles, but now I’m in a different blues genre. I’ve been Boogie since two years old, and now it’s time to be just Jonathon Long,”
Hear and see for yourself. A fond farewell to Boogie, and a hello and welcome to ‘Jonathon Long’.