with Terri Terri
Wed May 15
with Terri Terri
|Age:||Ages 21+ Only|
This musical sibling duo has fashioned their own creative blend of lofi psychelic rock, indie pop, & reggae, garnering millions of streams on their debut album "Isles" & most recent release "Dreamland".Buy Tickets
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Genre: psych pop / rock / reggae
Ticket Price: $16 advanced / $18 day of show / $28 reserved loft seating (loft seating is available over the phone or in person at our box office)
Everybody One of a Kind is the bold new record from Wild Belle. It’s a freaked-out sonic collage of all the things that brought us into their universe: The breezy reggae feelings on Isles, the darker edges of Dreamland, and a vibrant new energy that marries past and future. The album bends genres and busts stylistic boundaries. Dub Reggae, Soul, R&B and Pop are all fair game, as the band lovingly explores this fertile ground. The message that runs through the songs is clear: we’re all “freaks,” we all need love, and we’ve got work to do. As Natalie boldly proclaims in the rallying cry of “We Are The Future,” “This is a revolution.”
An early meeting during the making of the album with producer Max Martin brought some things into focus for the band. He felt that there we three elements that made something a Wild Belle song: Natalie’s voice, Elliot’s baritone saxophone, and a reggae rooted rhythm. He asked them to make a number of songs with only these core elements. With this in mind, the band set out to make the most focused and stripped-down record they’ve produced to date. Natalie’s vocals sit front and center in the eclectic world of Elliot’s production.
Natalie’s songwriting feels liberated. It’s more confident, vulnerable, sexy, funny and pointed. On Tumbleweed, she channels the ghost of an undiscovered Motown star when she sings: “When the sun goes down, that’s when I need you the most. On top of this hill, I see the world but I’m alone.” It’s a perfect marriage of lyric and melody as her voice outlines the chord changes beautifully.
The impact of their new sound is immediate. Album opener “Rocksteady” hits hard. A pulsing Buchla synthesizer, Natalie’s lilting vocal melody and Elliot’s baritone saxophone ripping through the wall of rhythms. Mockingbird is an up-tempo reggae stomper that moves bodies and feet. (check their ecstatic backyard dance party meets old school cop chase video-filmed in the backyard of legendary painter and friend Mark Grotjahn) The song, produced by John Hill started by mining his South American jungle field recordings for bird and animal sounds.
Wild Belle is a band that makes albums. The ten tracks hang together as thick sonic stew. Elliot Bergman’s production draws from his collection of instruments that he has crafted over the past 15 years. Electric kalimbas get looped and fuzzed-out, and his cast Peace Bells (made from melted guns and bullet casings) show up on “Let The Bells Ring.” He recently completed construction on his new Los Angeles studio that houses this world of sounds.
The record is a testament to the many faces of love, even in the course of one relationship. Natalie shifts from being a naughty gal and a nice gal too, to a tumbleweed blowing by, to a transistor radio and alarm clock, all while maintaining her voice as a socially conscious woman calling us to love the poor, support transgender youth, and wave the freak flag.
Since the release of their critically acclaimed debut album, Isles, the band has not stopped. They have toured the world, playing Coachella, Lollapalooza, Corona Capital, and Austin City Limits. They have appeared on the Tonight Show with Jimmy Fallon and Conan. They’ve had their music in dozens of television shows and films, and Natalie recently sang the opening theme for the HBO show The Deuce with Elvis Costello. Natalie has exhibited her vibrant collage work in Los Angeles galleries. Elliot has performed with his Peace Bells at the MCA Chicago and the Hirshhorn Museum in Washington D.C. As their individual creative practices grow and develop, the pair have continued to produce their art and music in a very personal and handmade fashion. Everybody One of a Kind welcomes you into a new chapter of Wild Belle’s expanding world.
Terri Terri touches on mesmerizing, slinking and slithering slow jams (“Heart”); off-kilter, dark, angular pop (“Love Inside the Mind”); and lurking, stealthily sharp funk grooves that recall krautrock legends CAN (“Attention”). While these are the most clearly present styles, Terri Terri plays with the fluidity of genre. The real genius, here, lies in a trait that runs through the entire record: Namely, disparate themes tied together through Noseworthy’s enchanting, heavily evocative mid-register delivery. Terri Terri showcases the voice of an artist navigating between the secret inner lives we withhold from everybody, and the moments so ecstatic we feel compelled to scream them from an open window.