Thievery Corporation with special guest Julian Marley
|Age:||Ages 21+ Only|
The traditionally electronic music duo has developed a warmer sound further influenced by funk, reggae, jazz, trip-hop and Latin music, as heard on their newest album, Treasures from the Temple!Sold Out
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Ticket Price: $84 advanced / $89 day of show / $147 reserved loft seating
When they met in the mid-1990s, Thievery Corporation's Eric Hilton and Rob Garza instantly bonded over their shared passion for bossa nova. Dedicating their 1996 debut 'Sounds from the Thievery Hi-Fi' to bossa nova pioneer Antonio Carlos Jobim, the Washington, D.C.-based duo have spent nearly two decades creating boundary-warping, complexly crafted electronic music partly inspired by bossa nova's intricate rhythms and lush textures. Now, with their seventh studio album 'Saudade,' Thievery Corporation present their first release devoted entirely to the Brazilian-born genre that first connected them. "We always try to progress into something different and stretch our musical chops, and taking a whole album to dive into this one sound seemed like a really great way to do that," says Hilton. Adds Garza: "It's a bit of a departure for us, but at the same time these are our roots, this is what brought us together. It's us coming full circle from electronic music back to something organic before we move on to our next chapter."
Released on their own label ESL Music, 'Saudade' borrows its title from a Portuguese word meaning "a longing for something or someone that is lost, a contented melancholy, or, simply, the presence of absence." "Saudade is the essence or feeling of true bossa nova," explains Hilton, who names "those warm, soulful, melancholic vocals" as one of the elements of bossa nova that's most alluring to him. Drawing influence from classic Brazilian performers like Antonio Carlos Jobim, Gal Costa, and Luis Bonfa, along with Serge Gainsbourg, Ennio Morricone, and more modern artists like electro-samba pioneer Isabelle Antena.Saudade achieves its delicate yet deeply sensuous sound with the help of more than a dozen guest musicians. With each track sung by one of five female vocalists (including longtime Thievery cohort LouLou Ghelichkhani, newcomer Elin Melgarejo, Nouvelle Vague singer Karina Zeviani, Argentine chanteuse Natalia Clavier, and former Bitter:Sweet singer/songwriter Shana Halligan), the endlessly mesmerizing album also features such guests as U.N.K.L.E. drummer Michael Lowery, Argentine singer/songwriter Federico Aubele, and master Brazilian percussionist Roberto Santos.
Thievery Corporation Present Their First Release Devoted Entirely to the Brazilian-Born Genre that First Connected Them
Although Thievery Corporation stay true to traditional bossa nova's elegant fusion of samba and jazz all throughout 'Saudade,' the album is rich with strange and wonderful flourishes that revel in the duo's hyper-inventive tendencies. Opening with the dusky "Decollage," 'Saudade' glides from the smoldering and string-drenched "Quem Me Leva" to the hushed and mysterious "Sola In Citta" (an Italian-sung nod to the legendary sound tracks of Ennio Morricone, featuring Wurlitzer electric piano by Enea Diotaiuti) to the sweetly ethereal "No More Disguise" (a dream-like piece laced with orchestral strings and bolero rhythms). With the instrumental title track serving as its gently stunning centerpiece, 'Saudade' also offers the sultry and spacey"Claridad" (a swaying Latin number propelled by analog organ beats) and the French lullaby of "Le Coeur" (featuring the sublime saxophone work of Frank Mitchell, Jr.). And on the final track "Depth of My Soul," Halligan delivers a haunting vocal performance that merges with the song's swirling symphonic soundscape to hypnotic effect.
Saudade is the Essence or Feeling of True Bossa Nova
Over the years, Thievery Corporation have given nods to their bossa-nova influence on individual album tracks, slipping those quietly enchanting songs into recordings that reveal the duo's careful studying of everything from Jamaican dub reggae to punk to vintage film soundtracks to psychedelic space rock. After coming up with sketches for several bossa-nova-style numbers while recording their last studio album (2011's Culture of Fear), Garza and Hilton considered releasing an EP showcasing a handful of Brazilian-inspired songs. "The more we worked on those songs, the more we got into the vibe of that vintage, organic sound," recalls Hilton. "Making an album fully dedicated to that sound felt like a good idea, especially at a time when the electronic dance music world is so saturated and there's not much of a focus on musicianship." Rather than feeling hemmed in by the unfamiliar approach of creating music solely in one style, Thievery Corporation found a great deal of freedom in writing and recording the songs that make up 'Saudade.' "In a way it was really liberating to do something out of our wheelhouse, to put ourselves in a totally different mindset and immerse ourselves in this one particular genre," notes Garza.
We're Still Chopping Up Beats, But This Time We're Making Them Sound Warm And Vintage
Now on 'Saudade,' Thievery Corporation are once again changing direction, trading the fiery energy of their last two albums for a wistful mood and summery spirit.a shift that both members found highly refreshing. "Even though we're very socially conscious, it's nice to take a break from the political theme and just concentrate creating some beautiful songs in the same vein as all these old records that we love," says Garza. And as one ofthe most influential and respected names on the electronic/dance music scene, Thievery Corporation also discovered their own breed of rebellion and innovation in committing themselves to a time-worn genre on 'Saudade.'"We're still chopping up beats, but this time we're making them sound warm and vintage.which is not at all what's happening in electronic music right," says Hilton. "What we're doing here is pretty traditional and timeless-sounding, and in that it's completely contrarian."
"The Music They Were Playing And The Whole Mood Of The Place Was Very Inspiring."
Thievery Corporation was hatched in 1995 when Hilton and Garza were introduced by a mutual friend at Washington, D.C.'s Eighteenth Street Lounge . a popular gathering place for musicians and nightlife seekers that is co-owned by Hilton. Hilton had been producing parties and various music events before opening the Lounge with a fellow DJ in the top three floors of a turn-of-the-century mansion just below Dupont Circle. He also had a recording studio, where Garza had once done some music production work, but the two had never met until the night Garza walked into the Lounge.
Julian Marley, son of reggae legend Bob Marley and Barbados-born Lucy Pounder is a Grammy award nominated, roots-reggae musician, singer-songwriter, producer and humanitarian.In the same tradition as his father, Julian "Ju Ju" Marley is a devout Rastafarian whose music is inspired by life and spirituality.
Born in London, England on June 4, 1975, Julian is the only son of Bob Marley born and raised in the U.K. Having been raised in England by his mother, Julian frequently visited his family and brothers Ziggy, Stephen, Damian and Kymani in Jamaica. Growing up as a youth in a musical atmosphere Julian quickly adopted a musical lifestyle and at an early age and became a skillful, self-taught musician mastering the bass, drums, guitar and keyboards. By the tender age of five, Marley recorded his first demo at the Marley family home in Kingston, Jamaica. Julian reflects, "From a small age music has been in my life, it was just a natural thing."
During Julian's formative years in Jamaica, he began to study under legendary reggae veterans such as Aston "Family Man" Barrett, Carlton Barrett, Earl "Wire" Lindo, Tyrone Downie and Earl "Chinna" Smith, all of whom inspired the then fledgling song-bird. In 1987 when influential Wailers drummer Carlton Barrett was murdered outside of his home in Jamaica , Julian wrote two un-released songs , 'Uprising' and 'What They Did Wrong' in response to the incident. Subsequently he also formed a band called The Uprising, a roots-reggae band comprised of young Jamaican players. Julian and the Uprising would go on to open up for his brother Ziggy Marley's band, The Melody Makers and performed with The Wailers which at one time included Carlton Barrett's son on drums.
In 1993, Julian decided to move to Jamaica to be closer to his brothers, and from that point on the gifted Marley brothers began to form their musical path. Julian, Stephen and Damian called on their brother Kymani Marley and the foursome formed a group called the Ghetto Youths Crew, a project that would find Julian touring the United States with his brothers for three consecutive years. Julian comments, "I give thanks for the musical guidance I received from my father and continue to receive from my brothers. It is with the inspiration of my family and the Most High that I create all of my songs today."
In 1996, Julian released his debut entitled, Lion in the Morning, which launched him into the public eye. The album was a conscious effort and culmination of his musical development to date, and reflected Julian's growing maturity and musical sophistication. Recorded at Tuff Gong studios in Kingston, Jamaica and the newly renovated Marley Music studio at Hope Road (the same studio where his father created some of his most important and well-known work) Lion in the Morning is Julian's own testament that clearly reflects his roots and heritage. Produced by Aston "Family Man" Barrett and Stephen Marley, the album additionally features contribution rolls from reggae luminaries such as Owen "Dreddie" Reid, Earl Chinna Smith, Tyrone Downie, and Julian's siblings Stephen Marley, Cedella Marley and Sharon Marley. The record was followed by a successful international tour with The Uprising, which included Jamaica's Sumfest and Sunsplash shows, a Marley Magic family performance during New York City's Central Park Summer Stage Concert Series, and touring into the territories of Japan, Brazil and Mexico. That year, Julian also began to tour extensively with his brother Damian, and the duo landed a featured artist position on the 1997 Lollapalooza tour.
In 1998, Julian contributed a vast range of musical elements to singer Lauryn Hill's Grammy Award winning album, The Miseducation of Lauryn Hill, which was recorded at Tuff Gong studio's in Jamaica, including playing guitar on the single, "Forgive Them Father".
In 1999 , Julian went back to work in the studio with his brothers Stephen and Damian , and contributed to the production of the platinum-selling Chant Down Babylon, a remix album by various hip-hop and rock artists covering Bob Marley & The Wailers songs, produced by Stephen Marley.
While Julian's childhood was equally split between England and Jamaica, his early adult years would find "Ju Ju" settling back into London and additionally creating a home base in Miami where the family owned studio, the Lion's Den is based. Though Jamaican at heart Julian has widely credited his British upbringing as a deep influence on his musical career. Julian reflects, "Growing up in London remains a large part of who I am today. I feel privileged to be a part of the musical roots that my father laid in England. As the next generation of British-born reggae artists, I look forward to relating the cultural gifts and musical creations that have been bestowed on to me back onto the international music scene."
In 2002, Julian and his brothers Stephen and Damian officially incorporated Ghetto Youths International, Inc., the family owned record label that was first founded by Ziggy Marley and Stephen Marley in 1989. The label allows the brothers to work closely with each other on musical collaborations. The Marley brothers also produce and release a catalogue of works featuring various artists for the Ghetto Youths imprint, including their own material, a venture that has successfully carried on the Marley tradition of communicating music to a global audience.
In 2003, Julian joined his siblings Stephen, Cedella, Damian, and Kymani to contribute a version of the single, 'Master Blaster' for Stevie Wonder's tribute album entitled, Conception: An Interpretation of Stevie Wonder Songs. That same year, Marley also recorded his sophomore effort entitled, A Time and Place at the Lion's Den in Miami. An organic fusion of rootical reggae and jazz, A Time and Place was produced by brother Stephen Marley, and the album cemented Julian's next milestone on his artistic path. Each track on the album was built on a solid foundation of traditional reggae, but contained a wide range influences which showcased Julian's love for music. After several years of touring with Ziggy Marley and the Melody Makers, the Ghetto Youths Crew, and his brother Damian "Jr. Gong" Marley, Julian had created a worldwide fan base for himself. Now, with the release of his sophomore album, Julian embarked on his own world tour that was backed by his band The Uprising, and circled Europe and the United States two times in support of A Time and Place.
In 2004, the Roots Rock Reggae Festival in the United States gave Julian the opportunity to unite and perform with all of the Marley brothers. Julian along with the Marley family also went on to perform a series of family 'Africa Unite' performances, including in Ethiopia in 2005, in Ghana in 2006, and in Jamaica in 2008. At the invitation of the Jamaican government, Julian Marley and The Uprising performed during the 2008 Olympic Games in Beijing, China, and celebrated along-side Jamaica's Gold medal-winning runner, Usain Bolt.
In 2009, Julian Marley's career rose to new heights with the success of his Grammy Award Nominated release entitled, Awake released on Ghetto Youths / Universal Music Group on April 28, 2009. The thought-provoking album was co-produced with his brothers Stephen Marley and Damian "Jr. Gong" Marley and recorded at the Lion's Den in Miami and the Tuff Gong studio's in Kingston, Jamaica. This album was inspired by Julian's life and spirituality and skillfully weaves diverse musical styles into a set of hypnotic beats and soulful vocals. The music and message presented throughout Awake was inspired by all the family who have come before. Julian explains, "There is spiritual energy from the ancestors in this album."
As with the other Marley's, Awake blends R&B, hip hop, dancehall and of course the roots reggae that his father made famous around the world. The album's first single, 'Boom Draw', is a blend of classic roots and modern dancehall. Julian's brothers also appear on the album, with Stephen Marley collaborating on 'A Little Too Late' and Damian "Jr. Gong" Marley contributing his talents to 'Violence in the Streets'. Another track, 'Oh Girl', features vocals by rapper Mr. Cheeks and Marcia Griffiths, a former Wailers backing vocalist and reggae star in her own right, also contributes background vocals to the album.
Julian's 'Awake' world tour with his band The Uprising flourished in 2009, and stemmed into a major North American, Caribbean and European run that included the Raggamuffin 2010 tour of Australia and New Zealand. In May 2010, Awake took home the award for 'Best Album of the Year' at the International Reggae and World Music Awards (IRAWMA) in New York City. Marley's tour with The Uprising continually expanded in 2010, and performance dates found the reggae singer-songwriter circling Europe, and scheduling back to back headlining performances in the U.K., Greece and South America.
A humanitarian at heart, Julian Marley naturally leans toward building on charitable missions and contributing to the Ghetto Youths Foundation, which in the spirit of his father Bob Marley, allows the socially conscious Marley to give back to youths in various communities. Whether it's reasoning with children at the football fields in London, or offering his time to benefit concerts, Julian consciously looks towards finding ways to help build positive guidance that benefit children .
In February, 2010 Julian and his brother Kymani Marley, along side the Ghetto Youths Foundation produced a 'Miami For Haiti' benefit show with all proceeds going to various charities aimed toward Haitian relief efforts. Julian urges, "If we have the time, if we have the resources, we must rise to the occasion to help our brothers and sisters in every way possible."
Julian Marley ranks higher in the consciousness movement of music than most reggae artists recognized today. And while Julian has built a formidable reputation by transcending musical genres, we can be sure that whatever ventures he will embark on in 2011, Julian "Ju Ju" Marley will remain a spiritual, moral, musical visionary with an international mission. Julian enthused, "I don't plan the next step, I just continue on with Jah Works and somehow things seem to just come together naturally that way."